Escucha música y podcasts GRATIS en Amazon Music. Sin necesidad de suscripción.Escucha gratis 1An Introduction to … BRAHMS: Introduction; opening horn call and piano's answer
2An Introduction to … BRAHMS: Rising three-note scalewise pattern
3An Introduction to … BRAHMS: Quicker, descending six-note 'answer'
4An Introduction to … BRAHMS: Second, answering phrase
5An Introduction to … BRAHMS: First Main Theme completed by orchestra
6An Introduction to … BRAHMS: Peace shattered as piano bursts back in like a tiger
7An Introduction to … BRAHMS: Variant of opening horn call in bass
8An Introduction to … BRAHMS: Orchestra returns; beginning of Exposition proper
9An Introduction to … BRAHMS: Big, 'singing' theme in orchestra; piano 'forgotten'
10An Introduction to … BRAHMS: Call to arms by strings; marshalling of orchestral forces
11An Introduction to … BRAHMS: Piano re-enters fry with massive expansion of opening figure
12An Introduction to … BRAHMS: Piano 'explores' two main facets of opening theme
13An Introduction to … BRAHMS: Transition. sense of key weakened. Piano and orchestra come together
14An Introduction to … BRAHMS: Piano and orchestra 'argue' over speed of thematic three-note rise
15An Introduction to … BRAHMS: Piano and orchestra in friendly dialogue before piano falls away
16An Introduction to … BRAHMS: 'Winged' harmonic shadow of pure pianistic tone-colour
17An Introduction to … BRAHMS: New 'transitional' theme from orchestra developed by piano
18An Introduction to … BRAHMS: After indecision and discussion, the mood suddenly turns playful
19An Introduction to … BRAHMS: Reminder of Second Main Theme in its original form
20An Introduction to … BRAHMS: Ttransfomation of Second Main Theme by piano
21An Introduction to … BRAHMS: Piano hijacks orchestra's 'call to arms'
22An Introduction to … BRAHMS: Piano and orchestra, now allies, explore theme, but with piano leading
23An Introduction to … BRAHMS: Dramatic eruption of orchestra leads to the Development section
24An Introduction to … BRAHMS: Pianistic 'tiger' replaced by gentle reflective, soft-spoken poet
25An Introduction to … BRAHMS: Transformed 'tiger' theme amicably shared by piano and orchestra
26An Introduction to … BRAHMS: An apparently new theme - but Battlle Hymn of the Republic?
27An Introduction to … BRAHMS: Brief, downward-driving section prepares for the Recapitulation
28An Introduction to … BRAHMS: On the threshold of the Recapitulation
29An Introduction to … BRAHMS: Recapitulation: The Magical Return
30An Introduction to … BRAHMS: From Gate-crashing Tiger to Celestial Tenderness - and a surprise
31An Introduction to … BRAHMS: And unexpected and portentus change of mood, suggesting tragedy
32An Introduction to … BRAHMS: Summation
33An Introduction to … BRAHMS: First Movement (Complete)
34An Introduction to … BRAHMS: Second Movement: The upward-driving opening gambit, piano alone
35An Introduction to … BRAHMS: Downward-driving answer from lower strings
36An Introduction to … BRAHMS: Theme vs Melody
37An Introduction to … BRAHMS: Eerie, unharmonised, 'white' sound of Second Theme
38An Introduction to … BRAHMS: Second Theme taken up and developed by piano
39An Introduction to … BRAHMS: Expectation and surprise; harmonic fluidity and intensifying drama
40An Introduction to … BRAHMS: Return (and transformation) of Theme Two
41An Introduction to … BRAHMS: Theme One returns in orchestra; Theme Three emerges in major mode
42An Introduction to … BRAHMS: Sequence of fragmentary episodes begins with unexpected fanfare
43An Introduction to … BRAHMS: Variant of Theme Three in piano
44An Introduction to … BRAHMS: Rescored variant of 'fanfare' theme; from grandeur to solemnity
45An Introduction to … BRAHMS: Rhapsodic variant of fanfare, this time for piano alone
46An Introduction to … BRAHMS: Recapitulation of opening, with piano and orchestra reversing roles
47An Introduction to … BRAHMS: Theme Two transformed by new instrumentation
48An Introduction to … BRAHMS: Cue and Second Movement (Complete)
49An Introduction to … BRAHMS: Introduction, cue and First Main Theme
50An Introduction to … BRAHMS: Theme One taken up by strings and solo oboe; piano's entry
51An Introduction to … BRAHMS: Complex variant of Theme One with very different speed and rhythm
52An Introduction to … BRAHMS: Orchestra and piano in mixed variants of Theme One, now intensified
53An Introduction to … BRAHMS: Theme Two, hushed and 'tuneless', with piano, clarinets and strings
54An Introduction to … BRAHMS: Oboe Theme returns, now delicately embroidered by the piano
55An Introduction to … BRAHMS: Cue and Third Movement (Complete)
56An Introduction to … BRAHMS: Finale: Introduction, cue and Main Theme
57An Introduction to … BRAHMS: Violins take up tune, with winds and piano accompanying
58An Introduction to … BRAHMS: Piano introduces Part 2 of the main theme
59An Introduction to … BRAHMS: Part 3 of the theme, led by piano, in 'fiercely' self-confident mood
60An Introduction to … BRAHMS: First Episode, Part 1
61An Introduction to … BRAHMS: First Episode, Part 2
62An Introduction to … BRAHMS: Piano hands theme over to clarinets and bassoons
63An Introduction to … BRAHMS: First Episode, Part 3, in piano, first; then flutes and oboes
64An Introduction to … BRAHMS: Strings and flutes take theme, with bubbling commentary from piano
65An Introduction to … BRAHMS: Tipsy dancers (piano and winds) return, tiring; strings take over
66An Introduction to … BRAHMS: In the central Episode, the orchestra throws down a dramatic challenge
67An Introduction to … BRAHMS: ... to which the piano duly responds with a stormy outburst
68An Introduction to … BRAHMS: Piano kick-starts run-up to final section in a variant of the main theme
69An Introduction to … BRAHMS: Orchestra sets off on jaunty march, later joined by the piano
70An Introduction to … BRAHMS: Piano propels orchestra into final section
71An Introduction to … BRAHMS: Summation and cue to the movement as a whole
72An Introduction to … BRAHMS: Finale (Complete)
℗© 2001 Naxos