Actor Jeff Daniels is always writing. Plays, songs, a script or two. Even in interviews you get the sense the Michigan native is trying to relay the stories of his life in a way he’d find compelling as a reader, or listener. Bystander — as a viewer.  He joins us this week around the latest chapter of his crime series American Rust (12:30), reprising his role as Police Chief Del Harris. It’s a performance inspired by his midwestern upbringing in Chelsea, Michigan (16:06) and the formative teachings of theater director Marshall W. Mason (21:20). Then, Daniels reflects on his arrival to New York City in 1976 (24:06), performing in Lanford Wilson’s play Fifth of July (27:20), and his early on-screen roles in Jonathan Demme’s Something Wild (31:10), Woody Allen’s The Purple Rose of Cairo (34:20), and Noah Baumbach’s The Squid and the Whale (44:20). On the back-half, we walk through his years making The Newsroom (51:48), working with screenwriter (and then playwright) Aaron Sorkin (53:20), and how the two of them reimagined Atticus Finch and To Kill a Mockingbird for both Broadway (59:49) and what he calls “a country at a crossroads” (1:05:33). To close, we sit with the utility of good writing in this fraught era (1:10:30), and a musical tribute to his late father, Robert (1:15:32). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. See omnystudio.com/listener for privacy information.

Actor Dev Patel has pursued interesting, complex roles in Hollywood since his arrival in Slumdog Millionaire fifteen years ago. He joins us today to discuss Monkey Man, his directorial debut and most personal project to date. At the top, we walk through the Hindu mythology that inspired the film (12:30), his decade-long fight to get the project greenlit (16:17), and the conditions of filming on an island during the pandemic (18:08). Then, Dev describes his intense creative process (27:02), how he landed his TV debut at sixteen as a sex-crazed teenager on Skins (28:33), and his life-changing role in Danny Boyle’s Slumdog Millionaire (35:40). On the back-half, Patel reflects on his years in The Newsroom (47:24), the films that followed, including Garth Davis’ Lion (49:52) and David Lowery’s The Green Knight (51:30), and how director/producer Jordan Peele saved Monkey Man from oblivion (56:32). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. See omnystudio.com/listener for privacy information.

Today we're sharing two special conversations, featuring our friends at Revisionist History. First, Malcolm Gladwell joins Sam to discuss "Development Hell," a new series about the untold stories of Hollywood that never left the page (2:00). Then, we turn to Gladwell's recent sit-down with director M. Night Shyamalan (25:00). Before Shyamalan became a household name for his mind bending thrillers like “The Sixth Sense” and “Signs”, he was just a young screenwriter in love. And during those blissful early years of marriage he wrote a love story. The screenplay for “Labor of Love” sold right away, and over the next 30 years or so there would be numerous attempts to make it into a movie. There was a major studio, there were A-list directors, Shyamalan even found his perfect star. In this episode, M. Night Shyamalan reveals the script that haunts him. To hear the full series from Revisionist History, listen here. For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

This weekend, comedian Ramy Youssef released a powerful and personal new HBO special, More Feelings. To commemorate the one-year anniversary of our first talk, we begin with a phone call with Ramy (5:35). Then, we dive into our talk from 2023, discussing the third season of his Hulu show Ramy (32:59), a timely scene from the show (35:46), and the questions that shaped it (39:37). Then, we walk through his coming of age as a first-generation Egyptian-American in New Jersey (42:28), his early forays into film (47:07), and the sketch inspired by his life-altering Bell’s palsy diagnosis (48:25). On the back-half, we discuss Youssef's television debut in the sitcom See Dad Run (59:00), how he found his “essence” as a performer (1:00:54), and the politics of his stand-up comedy (1:03:50). To close, he describes the influences behind Ramy, from The Carmichael Show to Curb Your Enthusiasm (1:08:25), a philosophy that guides his work (1:14:58), and the future of the series (1:21:36). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.

The Happiness Lab’s Dr. Laurie Santos brings together other Pushkin hosts to mark the International Day of Happiness. Revisionist History’s Malcolm Gladwell talks about the benefits of the misery of running in a Canadian winter. Dr. Maya Shankar from A Slight Change of Plans talks about quieting her mental chatter. And Cautionary Tales host Tim Harford surprises everyone with the happiness lessons to be learned from a colonoscopy. Hear more of The Happiness Lab HERE.See omnystudio.com/listener for privacy information.

Writer Evan Osnos (The New Yorker, CNN) has been interviewing Joe Biden on and off for the past decade. He recently profiled the 46th President ahead of his State of the Union, offering a rare (and revealing) portrait of the elder statesman from Pennsylvania.  In act one, we outline the state and stakes of the 2024 election (7:20), Biden’s demeanor “behind closed doors” (12:07), the accomplishments (15:42) and failures (21:00) of his first term, and what’s changed since his initial pitch to be a ‘transitional candidate’ (26:31). In act two, we turn to the twice-impeached, four-time criminal indictee, and presumptive GOP nominee for president, Donald Trump: his symbolic campaign announcement in Waco, Texas (32:40), the ‘combat mentality’ at the center of his bid for reelection (35:54), and the authoritarian vision (38:00) he has for America, come 2025 (39:25). In act three, a speed-round of pressing questions you may have about the 2024 election (54:27), an attempt to wrestle with Biden’s psychology (1:03:08), and, to close, a timely passage from Osnos’ stunning book Wildland: The Making of America’s Fury (1:12:18). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.

To celebrate Oscar Sunday, we're returning to our talk with Oppenheimer composer Ludwig Göransson! To begin, Göransson describes the collaborative process with director Christopher Nolan (6:48), the instrument at the heart of the film (9:30) and its hauntingly beautiful theme (11:06). Then, we walk through Ludwig’s instinctive approach to making music (13:07), his coming of age in Sweden (15:20), and the influence of Metallica and Danny Elfman (18:51). On the back-half, Ludwig reflects on his early years in Los Angeles (24:56), finding kinship with director Ryan Coogler (27:55) and polymath Donald Glover (34:53), and how he slowly began to understand his voice (38:21). To close, he shares how his process has evolved from Black Panther to Oppenheimer (42:30), the potential impact of AI on the music industry (44:58), and what he hopes for in the years ahead (49:15). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. See omnystudio.com/listener for privacy information.

For over twenty-five years, Cate Blanchett has been as vital as any performer we have. In the lead-up to this Sunday's 96th annual Academy Awards, we're returning to our special talk with Cate. To begin, we unpack her femme fatale turn in Nightmare Alley (6:06), the way director Guillermo del Toro wrestles with truth and deception in the neo-noir (9:34), the first time Blanchett understood her gift for shapeshifting (11:18), the lasting presence of her late father (14:46), an early job as a script reader that changed how she approached her craft (19:14), the challenge of getting comfortable with “being seen” (22:40), a prophetic encounter with a psychic while filming The Gift (25:46), and how becoming a parent clarified her purpose (31:58). On the back-half, we sit her work in I’m Not There (34:52) and Manifesto (38:54), her affinity for the Eastern philosophy of imperfection (42:33), words of wisdom from dancer Martha Graham (48:00), and how she’s beginning to accept the “divine dissatisfaction” of being an artist (51:54). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. See omnystudio.com/listener for privacy information.

As we enter month six of the Israel-Hamas war, a dispatch from Dr. Seema Jilani. She’s provided critical aid in the West Bank for nearly two decades, and recently returned from Gaza working with the IRC (the International Rescue Committee) to offer humanitarian support and medical assistance. At the top, we discuss her latest trip to the region (10:40), the devastating conditions she witnessed (14:46), and the details of her rescue efforts at Al-Aqsa Hospital (16:34). Then, she describes the decision-making process of her colleges on the ground (20:28), how medical supplies are dwindling (28:39), and the subsequent consequences of those shortages on children (34:46). On the back-half, Dr. Jilani underscores the importance of how doctors communicate with the media (40:36), how she views her responsibility as a physician (44:34), what she hopes comes out of the recent protest by U.S. airman Aaron Bushnell (45:55), and, to close, she reads a passage from poet Audre Lorde (55:02). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios in Los Angeles and Circle Music Group in Houston.See omnystudio.com/listener for privacy information.

In celebration of Dune’s 40th anniversary, we have a damn fine cup of coffee with actor (and now podcaster) Kyle MacLachlan. We discuss his new true crime podcast Varnamtown (7:08), MacLachlan’s small-town upbringing (15:36), and what inspired him to pursue acting after college (18:15) before landing his debut role in Dune (21:16). Then, he describes the film’s momentous premiere (27:42), his second collaboration with David Lynch in Blue Velvet (32:40) and the personal challenges he faced while making the film (34:08). On the back-half, we talk through Twin Peaks (41:25), Showgirls (46:57), how he taps into raw emotion as an actor (50:22), his recent foray into social media (58:25), and to close, a poignant George Price cartoon (1:01:00). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios in Los Angeles.See omnystudio.com/listener for privacy information.

Actor Lily Gladstone made history last month when she netted a Best Actress nomination for her work in Martin Scorsese’s Killers of the Flower Moon. At the top, we discuss this landmark moment for the film (7:00), her personal approach to the role of Mollie Kyle (9:58), and a revealing scene between Lily and Leonardo DiCaprio (15:40). Then, we walk through Gladstone’s connection to the “trickster” story (19:00), her creative upbringing on the Blackfeet Reservation in Montana (21:55), and her road to acting as a teenager (26:50) and later a touring performer in her twenties (30:40). On the back-half, Gladstone reflects on her early, complicated experiences auditioning in Hollywood (44:15), how she and Martin Scorsese aimed to honor the Osage legacy in this new project (48:30), the life-changing performance that came to be (58:00), and her hope for a true paradigm shift in the entertainment industry (1:03:25). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

Today, we return to our conversation with “Abbott Elementary” creator and star, Quinta Brunson! On the heels of her historic Emmy wins, we discuss the guiding principles behind the series (6:02), its incomparable cast (9:41), and the show’s personal connection to Quinta’s upbringing in West Philadelphia (14:49). Then, we unpack her earliest comedic influences (19:21), performing in improv in college (26:31), and the solace she found in Second City Chicago (29:09). On the back-half, Quinta reflects on moving to Los Angeles at twenty-three (33:27), the feelings of alienation that followed (35:02), and the Comedy Store performance that irrevocably altered her course (36:55) and brought her to Abbott Elementary (46:56). To close, she shares her hopes for the years to come (51:00). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

Following the success of her autobiographical 2019 film, The Farewell, Lulu Wang has emerged as one of the most exciting voices in Hollywood. With the arrival of her new series Expats, she joins us to discuss the responsibility she felt creating the Hong Kong-based show (6:55), collaborating with actor Nicole Kidman (12:30), and Wang’s personal connection to the project (13:12). Then, we unpack the contrasting perspectives embedded in the story (19:44), what she witnessed growing up in Miami, as an expat herself (22:55), and how she processes her family history today (24:15). On the back-half, Lulu reflects on her college years (34:45) where she began to find her creative voice (36:46), the road to her debut feature film Posthumous (45:32), and why she wanted to tell a more personal story in The Farewell (50:30), which she first narrated on This American Life (51:25). To close, we talk about her full-circle moment creating Expats (1:04:00) and the importance of community (1:06:30). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

Wesley Morris has served as critic at large at The New York Times since 2015, covering film, politics, and pop culture. He joins this week to discuss this year’s Academy Award nominations.  At the top, we discuss the omission of Greta Gerwig from the Best Director category (6:07), former Secretary Clinton on Barbie-gate (10:12), the ‘perversely effective’ nature of Killers of the Flower Moon (16:30), and the ways in which Bradley Cooper’s Maestro upends the traditional biopic (21:45). Wesley then reflects on his early adventures in moviegoing (30:43), the indie film boom of the late ‘90s (35:15), the rise of the Marvel Cinematic Universe (36:23) what the Best Picture nominations of 1988 can tell us about 2023’s slate (38:05), and the erosion of the ‘middle’ across film and culture (41:02). On the back-half: Todd Haynes’ beguiling new film May December (44:10), Ava DuVernay’s Origin (45:53), the Academy’s fraught relationship to diversity (53:05), the function of Wesley’s work in 2024 (1:05:58) and a reading of his moving, personal review about Alexander Payne’s The Holdovers (1:10:54). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com. This conversation was recorded at Spotify Studios.See omnystudio.com/listener for privacy information.

Over the past decade, writer and actor Dan Levy rose to prominence for his work on Schitt’s Creek. After co-creating the series with his father, Eugene Levy, he turned to a more personal project. Said project is his heartfelt directorial debut, a film entitled Good Grief (4:40). At the top of our conversation, Dan shares the origin of this story (13:22) and we discuss the importance of friendship (15:18), his experience working as a director (18:30), and a pivotal, full-circle moment from his time in London (20:32). Then, we discuss how he charted his course as a co-host on MTV Canada (28:00), the red carpet experience that clarified his path forward (35:22), and his ultimate arrival at making Schitt’s Creek (37:40). On the back-half, we unpack the pure, timeless nature of the hit series (45:25), Dan’s journey to making Good Grief after the show’s momentous conclusion (49:15), a powerful scene from the film (52:18), the universality of loss (56:40), and the responses that encourage him to continue creating (1:00:00). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

Over the past 15 years, filmmaker Ava DuVernay (Selma, Queen Sugar) has become something of an institution in Hollywood. As a writer, director, and producer she’s worked to make our industry more just and diverse—creating opportunities for voices that have historically been underrepresented both in front and behind the camera. In many ways her latest film, Origin, examines a hierarchy she’s worked to upend through a bold body of work. And so we begin today’s episode discussing her creative adaptation of Isabel Wilkerson’s best-selling book, Caste: The Origins of Our Discontents (7:30) and the timely questions she hopes to pose as we begin 2024 (11:35). Then, Ava reflects on the influence of her Aunt Denise (17:42), what a typical Saturday looked like in the DuVernay household (21:56), her formative years as an underground emcee at UCLA (28:55), and how working on Michael Mann’s Collateral (34:33) inspired her to direct. On the back-half, we talk about the making of Ava’s first narrative feature I Will Follow (38:46), a life-changing review from Roger Ebert (44:42) and the resulting decade as a director (49:15). We also wade through this past year in Hollywood (56:00), her hopes for ARRAY in the years to come (1:04:06), and the words of Angela Davis that keep her moving forward (1:06:00). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

As we begin the new year, we're returning to our conversation with brilliant actor Michelle Williams. We walk through the making of Showing Up (6:05), Williams’ fifteen-year partnership with director Kelly Reichardt (8:10), and her upbringing in Montana and San Diego (10:42). Then, she describes coming of age on the set of Dawson’s Creek (14:50), her pivotal turn in Tracy Letts’ Killer Joe (20:00), and her path to Ang Lee’s Brokeback Mountain (26:10). On the back-half, we discuss a healing passage from Rebecca Solnit’s A Field Guide to Getting Lost (29:37), Williams’ memorable performances in Blue Valentine (32:12) and My Week with Marilyn (37:47), and her final day shooting The Fabelmans (40:50). To close, she shares how she remains present as a mother (45:40), a formative Walt Whitman quote (47:22), and how—at age 42—she’s begun to create from “a place of peace.” (50:36). For questions, comments, or to join our mailing list, drop me a line at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

As we say goodbye to 2023, a collection of passages from some of our favorite episodes of the year. Featuring journalist and podcast host Sam Sanders on the stories of the summer (4:10), director and actor Natasha Lyonne on being a child actor in New York City (18:42), the Stanley Kubrick film that propelled Tom Hanks into performing (28:55), critic Hilton Als on the late Joan Didion (41:45), novelist Zadie Smith on the politics of writing (52:15), and to close, a tribute to the late Norman Lear (1:15:00). For questions, comments, or to join our mailing list, reach me at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.

This holiday weekend, we're presenting a special conversation between actor and director Bradley Cooper and David Remnick of The New Yorker Radio Hour. In this episode, they discuss Cooper's ‘fearless’ new film Maestro, his lifelong fascination with music, and how he constructed his intimate portrayal of legendary conductor and composer Leonard Bernstein. To hear David Remnick on Talk Easy, listen here.See omnystudio.com/listener for privacy information.

David Remnick has been the editor of The New Yorker since 1998 and a staff writer since 1992. He joins us this week to discuss his latest dispatch from the Middle East (9:50), reporting on the aftermath of October 7th (18:09) in what has become the Israel-Hamas war. He also shares the personal story of Avichai Brodutch, how he imagines this conflict may resolve (25:10), and our ‘failure to communicate’ in this increasingly polarized moment (29:35). Then, we turn to Remnick’s personal history: from the art that influenced him growing up in New Jersey (35:05) to his pathway to journalism at Princeton University (42:28) and his start at The Washington Post under the tutelage of legendary editor Ben Bradlee (48:00). On the back-half, we talk about Remnick’s early days running The New Yorker (56:45), the state of journalism today (1:00:30), why he cautions against despair as we head into 2024 (1:07:00), and a tribute to the creative longevity of musician Joni Mitchell (1:17:10). For questions, comments, or to join our mailing list, drop me a line at sf@talkeasypod.com.See omnystudio.com/listener for privacy information.