Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

Bigger Bach Set

6 MINUTOS Y 25 SEGUNDOS • MAR 26 2013

Lista de canciones del álbum

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)

06:25

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: ii. Fugue (BWV948)

04:59

Italian Concerto, BWV971: i. Allegro

04:12

Italian Concerto, BWV971: ii. Andante

05:04

Italian Concerto, BWV971: iii. Presto

04:00

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: i. Arioso (Adagio): Ist eine Schmeichelung der Freunde, um denselben von seiner Reise abzuhalten (His friends try to persuade him not to undertake the journey)

01:49

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: ii. Andante: Ist eine Vorstellung unterschiedlicher Casuum, die ihm in der Fremde konnten vorfallen (They tell him of the various misfortunes that may befall him abroad)

01:17

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iii. Adagiosissimo: Ist ein allgemeines Lamento der Freunde (The general lament of his friends)

02:27

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: iv. Allhier kommen die Freunde (weil sie doch sehen, daß es sanders nicht sein kann) und nehmen Abschied (His friends come, since they see that it must be)

00:27

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: v. Allegro poco: Aria di Postiglione

01:05

Capriccio on the Departing of his Most Beloved Brother in B-flat Major, BWV992: vi. Fuga all' imitatione della cornetta di Postiglione

02:20

Sonatina, from Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit (Trinity), BWV106," arr. Friskin

02:47

Toccata in C Minor, BWV911

10:06

French Suite No. 3 in B Minor BWV814: i. Allemande

02:07

French Suite No. 3 in B Minor BWV814: ii. Courante

01:23

French Suite No. 3 in B Minor BWV814: iii. Sarabande

02:35

French Suite No. 3 in B Minor BWV814: iv. Menuet and Trio

01:22

French Suite No. 3 in B Minor BWV814: v. Gavotte

02:58

French Suite No. 3 in B Minor BWV814: vi. Gigue

01:14

French Suite No. 4 in E-flat Major, BWV815: i. Allemande

01:20

French Suite No. 4 in E-flat Major, BWV815: ii. Courante

01:15

French Suite No. 4 in E-flat Major, BWV815: iii. Sarabande

01:33

French Suite No. 4 in E-flat Major, BWV815: iv. Gavotte

01:06

French Suite No. 4 in E-flat Major, BWV815: v. Air

01:24

French Suite No. 4 in E-flat Major, BWV815: vi. Menuet

00:58

French Suite No. 4 in E-flat Major, BWV815: vii. Gigue

02:30

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: i. Chorus: Wachet auf, ruft uns die Stimme

07:15

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: ii. Recitative (Tenor): Er kommt, er kommt, der Bräutigam kommt

01:12

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iii. Duet (Soprano, Bass): Wenn kömmst du, mein Heil

06:05

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: iv. Chorus: Zion hört die Wächter singen ('Sleeper's Awake')

04:39

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: v. Recitative (Bass): So geh herein zu mir

01:48

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vi. Duet (Soprano, Bass): Mein Freund ist mein!

04:14

Cantata No.140: Wachet auf, ruft uns die Stimme (27th Sunday after Trinity), BWV140: vii. Chorale: Gloria sei dir gesungen

01:55

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: i. Sinfonia in E Minor; Chorus: Christ lag in Todesbanden

05:45

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: ii. Duet (Soprano, Alto): Den Tod niemand zwingen kunnt

03:51

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iii. Aria (Tenor): Jesus Christus, Gottes Sohn

02:03

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: iv. Chorus: Es war ein wunderlicher Krieg

02:33

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: v. Aria (Bass): Hier ist das rechte Osterlamm

03:48

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vi. Duet (Soprano, Tenor): So feiern wir das hohe Fest

01:56

Cantata No.4: Christ lag in Todesbanden (Easter Sunday), BWV4: vii. Chorus: Wir essen und leben wohl

01:18

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: i. Chorale: Das neugeborne Kindelein

02:51

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: ii. Aria (Bass): O Menschen, die ihr täglich sündigt

06:01

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: iii. Recitative and Chorale (Soprano): Die Engel, welche sich zuvor

01:29

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: 044 iv. Chorale (Alto) and Duet (Soprano, Tenor): Ist Gott versöhnt

02:20

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: v. Recitative (Bass): Dies ist ein Tag, den selbst der Herr gemacht

01:26

Cantata No. 122: Das neugebor'ne Kindelein (1st Sunday after Christmas), BWV122: vi. Chorale: Es bringt das rechte Jubeljahr

00:45

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: i. Chorale: Ich freue mich in dir

04:34

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: ii. Aria (Alto): Getrost! es faßt ein heilger Leib

05:35

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iii. Recitativo (Tenor): Ein Adam mag sich voller Schrecken

01:08

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: iv. Aria (Soprano): Wie lieblich klingt es in den Ohren

09:24

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: v. Recitative (Bass): Wohlan, des Todes Furcht und Schmerz

01:07

Cantata No.133: Ich freue mich in dir (3rd Day of Christmas), BWV133: vi. Chorale: Wohlan, so will ich mich

01:17

Magnificat in D, BWV243: i. Coro: Magnificat anima mea

03:09

Magnificat in D, BWV243: ii. Aria: Et exsultavit spiritus meus

02:28

Magnificat in D, BWV243: iii. Aria: Quia respexit humilitatem

02:50

Magnificat in D, BWV243: iv. Coro: Omnes generationes

01:33

Magnificat in D, BWV243: v. Aria: Quia fecit mihi magna

02:14

Magnificat in D, BWV243: vi. Duetto: Et misericordia

03:50

Magnificat in D, BWV243: vii. Coro: Fecit potentiam

02:06

Magnificat in D, BWV243: viii. Aria: Deposuit potentes

02:24

Magnificat in D, BWV243: ix. Aria: Esurientes implevit bonis

02:52

Magnificat in D, BWV243: x. Terzetto: Suscepit Israel

02:18

Magnificat in D, BWV243: xi. Coro: Sicut locutus est

01:23

Magnificat in D, BWV243: xii. Coro: Gloria Patri

02:10

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: i. Adagio

04:38

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: ii. Allegro

03:22

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iii. Andante

03:48

Sonata No. 1 in B Minor for Violin and Harpsichord, BWV 1014: iv. Allegro

03:33

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: i. Adagio

03:47

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: ii. Allegro assai

03:09

Sonata No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iii. Andante un poco

04:04

No. 2 in A Major for Violin and Harpsichord Sonata, BWV 1015: iv. Presto

04:53

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: i. Adagio

06:47

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: ii. Allegro

03:13

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iii. Adagio ma non tanto

06:09

Sonata No. 3 in E Major for Violin and Harpsichord, BWV 1016: iv. Allegro

03:46

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: i. Siciliano

07:20

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: ii. Allegro

04:42

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iii. Adagio

04:44

Sonata No. 4 in C Minor for Violin and Harpsichord, BWV 1017: iv. Allegro

04:36

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: i. Largo

07:35

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: ii. Allegro

04:45

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iii. Adagio

05:32

Sonata No. 5 in F Minor for Violin and Harpsichord, BWV 1018: iv. Vivace

02:09

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: i. Allegro

03:47

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: ii. Largo

02:08

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iii. Allegro

05:13

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: iv. Adagio

04:15

Sonata No. 6 in G Major for Violin and Harpsichord, BWV 1019: v. Allegro

03:06

Passion According to St. Matthew, BWV 244: 1. Chorus: Kommt, ihr Töchter, helft mir klagen

08:57

Passion According to St. Matthew, BWV 244: 2. Recitative (Evangelist, Jesus): Da Jesus diese Rede vollendet hatte

00:45

Passion According to St. Matthew, BWV 244: 3. Chorale: Herzliebster Jesu, was hast du verbrochen

01:02

Passion According to St. Matthew, BWV 244: 4. Recitative (Evangelist): Da versammelten sich die Hohenpriester

00:29

Passion According to St. Matthew, BWV 244: 5. Chorus: Ja nicht auf das Fest

00:19

Passion According to St. Matthew, BWV 244: 6. Recitative (Evangelist): Da nun Jesus war zu Bethanien

00:32

Passion According to St. Matthew, BWV 244: 7. Chorus: Wozu dienet dieser Unrath

00:34

Passion According to St. Matthew, BWV 244: 8. Recitative (Evangelist): Da das Jesus merkete

01:26

Passion According to St. Matthew, BWV 244: 9. Recitative (Alto): Du lieber Heiland du

01:10

Passion According to St. Matthew, BWV 244: 10. Aria (Alto): Buß und Reu

05:21

100

Passion According to St. Matthew, BWV 244: 11. Recitative (Evangelist, Judas): Da ging hin der Zwölfen einer

00:40

101

Passion According to St. Matthew, BWV 244: 12. Aria (Soprano): Blute nur, du liebes Herz

04:01

102

Passion According to St. Matthew, BWV 244: 13. Recitative (Evangelist): Aber am ersten Tage der süßen Brot

00:11

103

Passion According to St. Matthew, BWV 244: 14. Chorus: Wo willst du, daß wir dir bere

00:23

104

Passion According to St. Matthew, BWV 244: 15. Recitative (Evangelist, Jesus): Er sprach: Gehet hin in die Stadt

01:42

105

Passion According to St. Matthew, BWV 244: 16. Chorus: Herr, bin ich's?/ Chorale: Ich bin's, ich sollte büßfen

01:05

106

Passion According to St. Matthew, BWV 244: 17. Recitative (Evangelist, Jesus, Judas): Er antwortete und sprach: Der mit der Hand mit mir

03:37

107

Passion According to St. Matthew, BWV 244: 18. Recitative (Soprano): Wiewohl mein Herz in Tränen schwimmt

01:54

108

Passion According to St. Matthew, BWV 244: 19. Aria (Soprano): Ich will dir mein Herze schenken

04:28

109

Passion According to St. Matthew, BWV 244: 20. Recitative (Evangelist, Jesus): Und da sie den Lobgesang gesprochen hatten

01:07

110

Passion According to St. Matthew, BWV 244: 21. Chorale: Erkenne mich, mein Hüter

01:19

111

Passion According to St. Matthew, BWV 244: 22. Recitative (Evangelist, Peter, Jesus): Petrus aber antwortete und sprach zu ihm

01:09

112

Passion According to St. Matthew, BWV 244: 23. Chorale: Ich will hier bei dir stehen

01:19

113

Passion According to St. Matthew, BWV 244: 24. Recitative: Da kam Jesus mit ihnen zu einem Hofe

01:40

114

Passion According to St. Matthew, BWV 244: 25. Recitative (Tenor, Chorus): O Schmerz! Hier zittert das gequälte Herz

02:35

115

Passion According to St. Matthew, BWV 244: 26. Aria (Tenor, Chorus): Ich will bei meinem Jesu wachen

05:50

116

Passion According to St. Matthew, BWV 244: 27. Recitative (Evangelist, Jesus): Und ging hin ein wenig

00:50

117

Passion According to St. Matthew, BWV 244: 28. Recitative (Bass): Der Heiland fällt vor seinem Vater nieder

01:23

118

Passion According to St. Matthew, BWV 244: 29. Aria (Bass): Gerne will ich mich bequemen

06:05

119

Passion According to St. Matthew, BWV 244: 30. Recitative (Evangelist, Jesus): Und er kam zu seinen Jüngern

01:19

120

Passion According to St. Matthew, BWV 244: 31. Chorale: Was mein Gott will, das g'scheh allzeit

01:23

121

Passion According to St. Matthew, BWV 244: 32. Recitative (Evangelist, Jesus, Judas): Und er kam und fand sie aber schlafend

02:31

122

Passion According to St. Matthew, BWV 244: 33. Duet (Soprano, Alto, with Chorus): So ist mein Jesus nun gefangen / Chorus: Sind Blitze, sind Donner in Wolken verschwunden?

05:24

123

Passion According to St. Matthew, BWV 244: 34. Recitative (Evangelist, Jesus): Und siehe, einer aus denen, die mit Jesu waren

02:24

124

Passion According to St. Matthew, BWV 244: 35. Chorale: O Mensch, bewein dein Sünde groß

09:15

125

Passion According to St. Matthew, BWV 244: 36. Aria (Alto) and Chorus: Ach! nun ist mein Jesus hin

04:57

126

Passion According to St. Matthew, BWV 244: 37. Recitative (Evangelist): Die aber Jesum gegriffen hatten

01:09

127

Passion According to St. Matthew, BWV 244: 38. Chorale: Mir hat die Welt trüglich gerricht'

00:59

128

Passion According to St. Matthew, BWV 244: 39. Recitative (Evangelist, Witnesses, High Priest): Und wiewohl viel falsche Zeugen herzutraten

01:20

129

Passion According to St. Matthew, BWV 244: 40. Recitative (Tenor): Mein Jesus schweigt zu falschen Lügen stille

01:19

130

Passion According to St. Matthew, BWV 244: 41. Aria (Tenor): Geduld! Wenn mich falsche Zungen stechen!

04:24

131

Passion According to St. Matthew, BWV 244: 42 Recitative (Evangelist, High Priest, Jesus): Und der Hohepriester antwortete / Chorus: Er ist des Todes schuldig

01:42

132

Passion According to St. Matthew, BWV 244: 43. Recitative (Evangelist): Da speieten sie aus / Chorus: Weissage uns, Christe

00:43

133

Passion According to St. Matthew, BWV 244: 44. Chorale: Wer hat dich so geschlagen

01:02

134

Passion According to St. Matthew, BWV 244: 45. Recitative (Evangelist, Mary Magdalene, Peter): Petrus aber saß draußen im Palast / Chorus: Wahrlich, du bist auch einer von denen

01:19

135

Passion According to St. Matthew, BWV 244: 46. Recitative (Tenor, Bass): Da hub er an, sich zu verfluchen

01:15

136

Passion According to St. Matthew, BWV 244: 47. Aria (Alto): Erbarme dich, mein Gott

07:52

137

Passion According to St. Matthew, BWV 244: 48. Chorale: Bin ich gleich von der gewichen

01:14

138

Passion According to St. Matthew, BWV 244: 49. Recitative (Evangelist, Judas): Des Morgens aber hielten alle Hohepriester / Chorus: Was gehet uns das an / Chorus: Was gehet uns das an

01:13

139

Passion According to St. Matthew, BWV 244: 50. Recitative (Evangelist, High Priests): Und er warf die Silberlinge in den Tempel

00:51

140

Passion According to St. Matthew, BWV 244: 51. Aria (Bass): Gebt mir meinen Jesum wieder

03:48

141

Passion According to St. Matthew, BWV 244: 52. Recitative (Evangelist, Pilate, Jesus): Sie hielten aber einen Rat

02:23

142

Passion According to St. Matthew, BWV 244: 53. Chorale: Befiehl du deine Wege

01:21

143

Passion According to St. Matthew, BWV 244: 54. Recitative (Evangelist, Pilate, Pilate's Wife): Auf das Fest aber hatte der Landpfleger Gewohnheit / Chorus: Laß ihn kreuzigen!

02:44

144

Passion According to St. Matthew, BWV 244: 55. Chorale: Wie wunderbarlich ist doch diese Strafe!

00:58

145

Passion According to St. Matthew, BWV 244: 56. Recitative (Evangelist, Pilate): Der Landpfleger sagte

00:17

146

Passion According to St. Matthew, BWV 244: 57. Recitative (Soprano): Er hat uns allen wohlgetan

01:27

147

Passion According to St. Matthew, BWV 244: 58. Aria (Soprano): Aus Liebe will mein Heiland sterben

05:49

148

Passion According to St. Matthew, BWV 244: 59. Recitative: Sie schrieen aber noch mehr / Chorus: Laß ihn kreuzigen / Recitative: Da aber Pilatus sahe / Chorus: Sein Blut komme über uns / Recitative: Da gab er ihnen Barrabam los

02:24

149

Passion According to St. Matthew, BWV 244: 60. Recitative (Alto): Erbarm es Gott!

01:21

150

Passion According to St. Matthew, BWV 244: 61. Aria (Alto): Können Tränen meiner Wangen

08:11

151

Passion According to St. Matthew, BWV 244: 62. Recitative (Evangelist): Da nahmen die Kriegsknechte; Chorus: Gegrüßet seist du, Judenkönig

01:21

152

Passion According to St. Matthew, BWV 244: 63. Chorale: O Haupt voll Blut und Wunden

02:46

153

Passion According to St. Matthew, BWV 244: 64. Recitative (Evangelist): Und da sie ihn verspottet hatten

00:55

154

Passion According to St. Matthew, BWV 244: 65. Recitative (Bass): Ja freilich will in uns das Fleisch und Blut

00:38

155

Passion According to St. Matthew, BWV 244: 66. Aria (Bass): Komm, süßes Kreuz, so will ich sagen

06:55

156

Passion According to St. Matthew, BWV 244: 67. Recitative (Evangelist): Und da sie an die Stätte kamen; / Chorus: Der du den Tempel Gottes zerbrichst

03:44

157

Passion According to St. Matthew, BWV 244: 68. Recitative (Evangelist): Desgleichen schmäheten ihn auch die Mörder / Chorus: Andern hat er geholfen

00:18

158

Passion According to St. Matthew, BWV 244: 69. Recitative (Alto): Ach Golgatha, unselges Golgatha!

02:06

159

Passion According to St. Matthew, BWV 244: 70. Aria (Alto) and Chorus: Sehet, Jesus hat die Hand

03:44

160

Passion According to St. Matthew, BWV 244: 71. Recitative: Und von der sechsten Stunde an / Chorus: Der rufet dem Elias / Recitative: Und bald lief einer unter ihnen / Chorus: Halt, laß sehen / Recitative: Aber, Jesus schriee

02:19

161

Passion According to St. Matthew, BWV 244: 72. Chorale: Wenn ich einmal soll scheiden

01:53

162

Passion According to St. Matthew, BWV 244: 73. Recitative (Evangelist): Und siehe da, der Vorhang im Tempel zerriß / Chorus: Wahrlich, dieser ist Gottes Sohn gewesen / Recitative (Evangelist): Und es waren viel Weiber da

02:45

163

Passion According to St. Matthew, BWV 244: 74. Recitative (Bass): Am Abend, da es kühle war

02:25

164

Passion According to St. Matthew, BWV 244: 75. Aria (Bass): Mache dich, mein Herze, rein

08:03

165

Passion According to St. Matthew, BWV 244: 76. Recitative (Evangelist): Und Joseph nahm den Leib / Chorus: Herr, wir haben gedacht / Recitative: Pilatus sprach zu ihnen

02:59

166

Passion According to St. Matthew, BWV 244: 77. Recitative (Bass, Tenor, Alto, Soprano, Chorus): Nun ist der Herr zur Ruh gebracht

02:22

167

Passion According to St. Matthew, BWV 244: 78. Chorus: Wir setzen uns mit Tränen nieder

07:03

168

Sonata in A Major for Flute and Harpsichord, BWV 1032: i. Vivace

04:17

169

Sonata in A Major for Flute and Harpsichord, BWV 1032: ii. Largo e dolce

03:12

170

Sonata in A Major for Flute and Harpsichord, BWV 1032: iii. Allegro

04:57

171

Sonata in A Major for Flute and Harpsichord, BWV 1020: i. [Allegro]

03:30

172

Sonata in A Major for Flute and Harpsichord, BWV 1020: ii. Adagio

04:21

173

Sonata in A Major for Flute and Harpsichord, BWV 1020: iii. Allegro

04:28

174

Partita in A Minor for Solo Flute, BWV 1013: i. Allemande

03:17

175

Partita in A Minor for Solo Flute, BWV 1013: ii. Corrente

03:37

176

Partita in A Minor for Solo Flute, BWV 1013: iii. Sarabande

04:11

177

Partita in A Minor for Solo Flute, BWV 1013: iv. Bourree Anglaise

02:41

178

Sonata in E Major for Flute and Harpsichord, BWV 1035: i. Adagio ma non tanto

03:55

179

Sonata in E Major for Flute and Harpsichord, BWV 1035: ii. Allegro

04:42

180

Sonata in E Major for Flute and Harpsichord, BWV 1035: iii. Siciliano

02:43

181

Sonata in E Major for Flute and Harpsichord, BWV 1035: iv. Allegro assaid

03:03

182

Sonata in C Major for Flute and Basso Continuo, BWV 1033: i. Andante - Presto - Allegro

03:27

183

Sonata in C Major for Flute and Basso Continuo, BWV 1033: ii. Adagio - Menuets 1 & 2

03:16

184

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: i. Adagio ma non tanto

04:08

185

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: ii. Allegro

03:32

186

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iii. Andante

02:32

187

Sonata in E Minor for Flute and Basso Continuo, BWV 1034: iv. Allegro

02:33

188

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: i. Aria (Soprano): Weichet nur, betrubte Schatten

06:11

189

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ii. Recitative (Soprano): Die Welt wird wieder neu

00:31

190

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iii. Aria (Soprano): Phoebus eilt mit schnellen Pferden

03:59

191

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: iv. Recitative (Soprano): Drum sucht auch Amor sein Vergnugen

00:45

192

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: v. Aria (Soprano): Wenn die Fruhlingslufte streichen

02:48

193

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vi. Recitative (Soprano): Und dieses ist das Glucke

00:52

194

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: vii. Aria (Soprano): Sich uben im Lieben, in Scherzen sich herzen

04:33

195

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: viii. Recitative (Soprano): So wei das Band der keuschen Liebe

00:30

196

Cantata No. 202: Weichet nur, betrübte Schatten (Wedding Cantata), BWV202: ix. Gavotte (Soprano): Sehet in Zufriedenheit tausend helle Wohlfahrstage

01:53

197

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: i. Sinfonia in B-minor

07:02

198

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: ii. Recitative (Soprano): Non sa che sia dolore

01:25

199

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iii. Aria (Soprano): Parti pur, e con dolore

09:54

200

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: iv. Recitative (Soprano): Tuo saver al tempo e l'eta contrasta

00:38

201

Cantata No. 209: Non sa che sia dolore (Italian Cantata), BWV209: v. Aria (Soprano): Ricetti gramezza e pavento

06:13

202

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: i. Aria (Soprano): Jauchzet Gott in allen Landen!

05:09

203

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: ii. Recitative (Soprano): Wir beten zu dem Tempel an

02:55

204

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iii. Aria (Soprano): Höchster, mache deine Güte

05:10

205

Cantata No. 51: Jauchzet Gott in allen Landen! (Trinity), BWV51: iv. Chorale and Aria (Soprano): Sei Lob und Preis mit Ehren; Alleluia

06:12

206

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: i. Chorus: Ein feste Burg ist unser Gott

06:38

207

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: ii. Aria with Chorale (Bass, Soprano): Alles, was von Gott geboren

04:06

208

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iii. Recitative (Bass): Erwäge doch, Kind Gottes

02:25

209

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: iv. Aria (Soprano): Komm in mein Herzenshaus

04:01

210

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: v. Chorale: Und wenn die Welt voll Teufel wär

04:19

211

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vi. Recitative (Tenor): So stehe dann bei Christi blutgefärbten Fahne

01:29

212

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: vii. Duet (Alto, Tenor): Wie selig sind doch die, die Gott im Munde tragen

04:14

213

Cantata No. 80: Ein' feste Burg ist unser Gott (Reformation Festival), BWV 80: viii. Chorale: Das Wort sie sollen lassen stahn

01:52

214

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: i. Chorus: Lobet Gott in seinen Reichen

05:05

215

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ii. Evangelist (tenor): Der Herr Jesus hub seine Hände auf

00:36

216

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iii. Recitative (bass): Ach, Jesu, ist dein Abschied schon so nah?

01:19

217

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: iv. Aria (alto): Ach, bleibe doch, mein liebstes Leben

07:09

218

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: v. Evangelist: Und ward aufgehoben zusehends

00:29

219

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vi. Chorale: Nun lieget alles unter dir

01:32

220

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: vii. Evangelists (tenor and bass): Und da sie ihm nachsahen gen Himmel fahren

01:17

221

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: viii. Recitative (soprano): Ach ja! so komme bald zurück

00:39

222

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: ix. Evangelist: Sie aber beteten ihn an

00:47

223

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: x, Aria (soprano): Jesu, deine Gnadenblicke

07:04

224

Cantata No.11: Lobet Gott in seinen Reichen (Ascension), BWV 11: xi. Chorale: Wenn soll es doch geschehen

04:46

225

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 1 (a 1 clav.)

01:54

226

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 2 (a 1 clav.)

00:58

227

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 3 (canone all'unisuono a 1 clav.)

00:52

228

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 4 (a 1 clav.)

02:32

229

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 5 (a 1 o vero 2 clav.)

01:05

230

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 6 (canone alla seconda a 1 clav.)

00:50

231

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 7 (a 1 o vero 2 clav., al tempo di giga)

00:46

232

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 8 (a 2 clav.)

00:46

233

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 9 (canone alla terza a 1 clav.)

00:59

234

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 10 (fughetta a 1 clav.)

00:51

235

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 11 (a 2 clav.)

00:48

236

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 12 (canone alla quarta a 1 clav.)

00:55

237

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 13 (a 2 clav.)

01:29

238

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 14 (a 2 clav.)

02:34

239

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 15 (canone alla quinta a 1 clav.: Andante)

01:10

240

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 16 (ouverture a 1 clav.)

01:56

241

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 17 (a 2 clav.)

01:59

242

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 18 (canone alla sexta a 1 clav.)

01:01

243

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 19 (a 1 clav.)

00:40

244

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 20 (a 2 clav.)

01:00

245

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 21 (canone alla settima a 1 clav.)

01:05

246

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 22 (a 1 clav. alla breve)

01:20

247

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 23 (a 2 clav.)

00:46

248

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 24 (canone all'ottava a 1 clav.)

01:09

249

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 25 (a 2 clav.: Adagio)

01:38

250

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 26 (a 2 clav.)

03:45

251

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 27 (canone alla nona a 2 clav.)

01:15

252

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 28 (a 2 clav.)

00:53

253

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 29 (a 1 o vero 2 clav.)

02:18

254

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 30 (quodlibet a 1 clav.)

02:06

255

Goldberg Variations, BWV988 (Clavier-Übung IV): Variation 31

01:30

256

Goldberg Variations, BWV988 (Clavier-Übung IV): Aria da capo

02:05

257

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: i. Sinfonia

04:17

258

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ii. Adagio

04:54

259

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iii. Duet (Tenor, Bass) and Chorus: Kommt, eilet und laufe

05:04

260

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: iv. Recitative (Alto, Soprano, Tenor, Bass): O kalter Männer Sinn

01:14

261

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: v. Aria (Soprano): Seele, deine Spezereien

07:31

262

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vi. Recitative (Tenor, Bass, Alto): Hier ist die Gruft

01:09

263

263 Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: vii. Aria (Tenor): Sanfte soll mein Todeskummer

07:19

264

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: viii. Recitative (Soprano, Alto): Indessen seufzen wir

00:59

265

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: ix. Aria (Alto): Saget, saget mir geschwinde

04:40

266

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: x. Recitative (Bass): Wir sind erfreut

00:46

267

Easter Oratorio (Kommt, eilet und laufet, ihr flüchtigen Füße), BWV249: xi. Chorus: Preis und Dank

03:07

268

Cantata No.50: Nun ist das Heil und die Kraft (St. Michael), BWV50

03:59

269

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: i. Chorus: Wachet! betet! betet! wachet!

04:29

270

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ii. Recitative (Bass): Erschrecket, ihr verstockten Sünder

01:39

271

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iii. Aria (Alto): Wenn kömmt der Tag

04:31

272

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: iv. Recitative (Tenor): Auch bei dem himmlischen Verlangen

00:50

273

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: v. Aria (Soprano): Laßt der Spötter Zungen schmähen

03:02

274

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vi. Recitative (Tenor): Jedoch bei dem unartigen Geschlechte

00:41

275

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: vii. Chorale: Freu dich sehr, o meine Seele

02:08

276

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: viii. Aria (Tenor): Hebt euer Haupt empor

03:43

277

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: ix. Recitative (Bass): Ach, soll nicht dieser große Tag

02:16

278

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: x. Aria (Bass): Seligster Erquickungstag

03:20

279

Cantata No.70: Wachet, betet, seid bereit allezeit (26th Sunday after Trinity), BWV70: xi. Chorale: Nicht nach Welt, nach Himmel nicht

01:20

280

Cantata No. 53: Schlage doch, gewünschte Stunde, BWV53: Aria, “Schlage doch, gewunschte Stunde”

09:27

281

Passion According to St. John, BWV245: Aria, “Est ist vollbracht”

06:50

282

Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Widerstehe doch der Sünde”

09:03

283

Passion According to St. Matthew, BWV244: Recitative, “Du Lieber Heiland”

05:55

284

Cantata No.55: Ich armer Mensch, ich Sündenknecht (22nd Sunday after Trinity), BWV55: Aria, 'Erbarme dich'

08:47

285

Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Recitative: “Die art verruchter Sünden”

01:37

286

Cantata No. 54: Widerstehe doch der Sünde (Trinity), BWV 54: Aria, “Wer Sunde tut”

03:20

287

Christmas Oratorio, BWV248: Aria, “Bereite dich, Zion”

05:28

288

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: i. Sinfonia

07:29

289

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: ii. Arioso (Alto): Gott soll allein mein Herze haben

02:26

290

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iii. Recitative (Alto): Was ist die Liebe Gottes?

01:00

291

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: iv. Aria (Alto): Stirb in mir, Welt

05:32

292

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: v. Recitative (Alto): Doch meint es auch dabei

00:31

293

Cantata No.169: Gott soll allein mein Herze habenn (18th Sunday after Trinity), BWV169: vi. Choral: Du süße Liebe, schenk uns deine Gunst

01:03

Bigger Bach Set

Transcribed in the Light of Harpsichord Technique (Bach's "Chromatic Fantasy & Fugue"), for piano: i. Chromatic Fantasia (BWV903)